#Steve carell teleprompt professional
#Steve carell teleprompt series

It’s too early to tell how the series is handling its #MeToo elements, which oddly feel disconnected from the A-plot. It’s the moment that The Morning Show became real for me.

Simple, but played just right by Aniston. There’s a moment early on in the pilot when Alex-furious, heartbroken, and concerned about the future in the wake of scandal-smashes her phone in anger, takes a breath to reset, and continues pushing forward. But while Witherspoon may have the flashier role, it’s Aniston that brings it home. But as time goes on, she becomes less of an exclamation point at the end of a statement and more of an ellipses you want to follow to the next line. It’s hard not to be entertained when Crudup fully commits to the line, “Chaos-it’s the new cocaine!”Īt first, Bradley feels like a familiar archetype-she’s a crusading journalist who isn’t afraid to get in your face-punctuated by eruptions of moralistic speechifying. Their ongoing perry and repost fencing bout is sharp. Billy Crudup shines as Cory Ellison, the smarmy, scheming network executive sowing discord to undermine her.

#Steve carell teleprompt professional

Assuming control of her professional destiny, Alex’s unsure make-it-up-as-she-goes warpath is exciting and also serves as a warranted comeuppance for those in her way. The Morning Show is most compelling when it focuses on the network politics and seductive power struggles-the soupy drama we all like to revel in. Their slow-burn relationship is poised to be a bedrock for the series as it moves forward, though in what light-supportive partners or heated rivals-I cannot yet say. The more screen time Witherspoon and Aniston share, the more dynamic the show becomes. But Apple’s series isn’t as self-righteous as its HBO predecessor (though the walk-and-talks undeniably lack the same snap) and gains momentum over the course of its first three episodes. With director Mimi Leder ( On the Basis of Sex) swooping over the brightly lit but empty New York City of 3AM, we can infer that neither is wholly satisfied with their lives when we meet them.Īs a star-studded show about the media, comparisons to Aaron Sorkin’s The Newsroom are inescapable and, in the midst of an impassioned plea for intelligence, ambition, ego or decency, The Morning Show can occasionally feel like Sorkin-lite. Bradley is a mid-level reporter whose rigid idealism has kept her from the big leagues and Alex is finally firing back at the patriarchal institution that has dictated her career. Showrunner Kerry Ehrin ( Bates Motel, Friday Night Lights), along with Aniston and Witherspoon serving as executive producers, craft a parallel story of agency and narrative control for Alex and Bradley.